YUZO TOYAMA
RHAPSODY BERCEUSE
KIYOSHIGE KOYAMA
KOBIKI-UTA FOR ORCHESTRA
HISATADA ODAKA
CONCERTO FOR FLUTE Posthumus”
conductor
HIROYUKI IWAKI THE NHK SYMPHONY ORCHESTRA
MASAO YOSHIDA

제 조 국 : made in Japan
레 이 블 : king

자켓상태 : A면 / B면 EX~
음반상태 : A면 NEAR MINT-~MINT- B면 NEAR MINT-
수 록 곡 : 이미지 참고바랍니다.
* 음반자켓/음반 오염제거및 소독 완료, 음반 상태 확인 완료된 제품입니다.

Yūzō Toyama (外山 雄三, Toyama Yūzō, born 10 May 1931) is a Japanese composer and conductor. A native of Tokyo, he was a pupil of Kan'ichi Shimofusa; he studied conducting with Kurt Wöss and Wilhelm Loibner and, like them, later became a conductor of the NHK Symphony Orchestra. As a conductor he has served with numerous orchestras throughout Japan; as a composer his prime influences are Béla Bartók and Dmitri Shostakovich. Rostropovich performed the world premiere of the composer's six-movement 1967 First Cello Concerto, a piece described by Gramophone as "attractive", with the additional comment that it "sounds like Japanese folk music rendered orchestral by Kodaly".[1] His best-known work is a Rhapsody for Orchestra based on Japanese folk songs.

Toyama won the Suntory Music Award in 1982.

Kiyoshige Koyama (小山 清茂, Koyama Kiyoshige, January 15, 1914 – June 6, 2009), was a Japanese composer for orchestras, vocal, and traditional Japanese instrumentation. He was born in Nagano City, Nagano Prefecture. Although nationalistic he did not compose until his thirties, which was after the period of Imperial expansionism.

Orchestral
1946 Shinano bayashi for Orchestra
1953/1958 Japanese Folk Songs for Chamber Orchestra
1957 Kobiki-Uta (Woodcutter's Song) for Orchestra
1959 Symphonic Suite "Nohmen" (Masks for Play)
1964 Ainu no Uta for string orchestra
1976 Hinauta No. 1 for Orchestra
1978 Hinauta No. 2 for Orchestra
1981 Hinauta No. 3 for orchestra
1988 Hinauta No. 4 for orchestra
Wind orchestra
1970 Kobiki-uta for band
1970 Mogura-oi
1970 Otemoyan
1970 Echigo-jishi
1970 Dai-kagura
1980 Flow Festival
1991 Hinauta No. 5
1993 Noh-men

Choral
Lullaby of Itsuki

Piano
1966 Kagome Variations
1969 Variations on "Kari kari watare"
Children Songs for piano
Collection of piano pieces
Intro to piano thru Japanese harmony
Coming Summer (Natsu wa kinu)

Traditional Japanese instruments
1962 Ubusuna for koto and other Japanese musical instruments
1962 Quartet No. 1 for Japanese instruments
1963 Okume - Okiku
1964 Wagakki no tame no gassōkyoku
1965 Urashima Taro kodomo no yume
1966 Fudo yonsho
1968 Trio for 2 koto and jūshichi-gen
1968 Quartet No. 2 "Theme and Variations" for Japanese instruments
1971 Akatsuchi ni naru imōto
1973 Wagakki no tame no gojūsōkyoku, Quintet for Japanese instruments
1976 Chidori ni yoru hen'yō (Transfiguration by Chidori)
1978 Wagakki no tame no hensōkyoku, Variations for Japanese instruments
1980 Hagoromo
1985 Nenyamonya Hensōkyoku (Nenyamonya Variations)
1996 Sakura sakura for koto ensemble
Tenchi sosei
Trio for 2 koto and jūshichi-gen

Operas
1972 Sansho Dayu
1974 Konyaku Mondo

Hisatada Otaka (Japanese: 尾高尚忠; 26 September 1911 – 16 February 1951) was a Japanese composer and conductor. He was the conductor of the NHK Symphony Orchestra from 1942 to 1951.

Otaka was born in Japan and studied in musical arts early, however he dropped out of high school and moved to Vienna for 6 years for conducting and composing, during his studies in Vienna he became friends with Andrzej Panufnik and started composing works. In 1940, Otaka moved back to Japan where he would take the role as an active conductor for the NHK Symphony Orchestra, become a music teacher and compose most of his significant works such as his Symphony and Cello Concerto, however his life came to an abrupt end at the age of 39, leaving an unfinished Flute Concerto rewrite which one of his students, Hikaru Hayashi, would take on and complete.

When Otaka died he left behind three children, all of whom play his work regularly particularly the youngest son Tadaaki Otaka. In 1953, the NHK Symphony Orchestra created the Otaka Prize, which is named after Hisatada Otaka for his role in helping the orchestra. Otaka had written one of the first Japanese cello concertos and the first Japanese flute concerto, the latter being played regularly as Otaka's most famous work.