TOSHIRO MAYUZUMI DIVERTISSEMENT POUR 10 INSTRUMENTS
YASUKAZU UEMURA SEIZO SUZUKI HIROSHI UCHIYAMA MUNEO TOZAWA KAORU CHIBA
GENZO KITAMURA KIYOSHI ITO YOKO HAYASHI
HIROAKI NAKA JUN DATE
PRELUDE FOR STRING QUARTET
IWAMOTO MARI STRING QUARTET
제 조 국 : made in Japan
레 이 블 : KING
자켓상태 : A면 / B면 EX~
음반상태 : A면 NEAR MINT-~MINT- B면 NEAR MINT-
수 록 곡 : 이미지 참고바랍니다.
* 음반자켓/음반 오염제거및 소독 완료, 음반 상태 확인 완료된 제품입니다.
Toshiro Mayuzumi (黛 敏郎 Mayuzumi Toshirō Japanese pronunciation: [majɯzɯmi toɕiɾoː]; 20 February 1929 – 10 April 1997) was a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music,[1][2] being the first artist in his country to explore these techniques.[3] In the span of his career, his works included symphonies, ballets, operas, and film scores,[4] and was the recipient of an Otaka prize by the NHK Symphony Orchestra and the Purple Medal of Merit.
Works
Operas
Kinkakuji (Der Tempelbrand; The Golden Pavilion) (1976, Berlin)
Kojiki (Days of the Gods) (1996, Linz)
Ballet
Bugaku (1962)
Olympics (1965)
The Kabuki (1986)
M (1996)
Orchestral works
Rumba Rhapsody (1948)
Symphonic Mood (1950)
Bacchanale (1954)
Ektoplasm (1954)
Tonepleromas 55 (1955)
phonology Symphonique (1957)
Nirvana Symphony for male chorus and orchestra (1958)
Mandala Symphony (1960)
Echigojishi (1960)
Music with Sculpture (1961)
Textures for wind orchestra (1962)
Samsara (1962)
Essay in Sonorities (Mozartiana) (1963)
Essay for string orchestra (1963)
Fireworks (1963)
Ongaku no tanjō [Birth of Music] (1964)
Concerto for percussion and wind orchestra (1965)
Concertino for xylophone and orchestra (1965)
Shu [Incantation] (1967)
Tateyama (1974)
ARIA in G for Solo Violin and Orchestra (1978)
Capriccio for Solo Violin and String Orchestra (1988)
Mukyūdō [Perpetual Motion] (1989)
Ensemble/Instrumental works
Sonata, for violin and piano (1946)
Twelve Preludes, for piano (1946)
Hors d'œuvre, for piano (1947)
Divertimento, for 10 instruments (1948)
String Quartet (1952)
Sextet, for flute, clarinet, bass clarinet, horn, trumpet, and piano (1955)
Pieces, for prepared piano and string quartet (1957)
Mikrokosmos, for clavioline, guitar, musical saw, vibraphone, xylophone, percussion, and piano (1957)
Bunraku, for violoncello solo (1960)
Prelude, for string quartet](1961)
Metamusic, for saxophone, violin, and piano (1961)
Shōwa Ten-pyō Raku, for gagaku ensemble (1970)
Rokudan, for harp (1989)
Electronic music
X, Y, Z for musique concrète (1953)
Boxing for Radio Drama (1954)
Music for Sine Wave by Proportion of Prime Number (1955)
Music for Modulated Wave by Proportion of Prime Number (1955)
Invention for Square Wave and Saw-tooth Wave (1955)
Variations on Numerical Principle of 7 (1956; with Makoto Moroi)
Aoi no ue (1957)
Campanology for multi-piano (1959)
Olympic Campanology (1964)
Mandala for solo voice and electronic sounds (1969)
Film scores
Waga ya wa Tanoshi (1951)
The Woman in the Rumor (噂の女 Uwasa no onna) (1954)
Street of Shame (1956)
The Balloon (1956)
Enjō (1958)
Stolen Desire (1958)
When a Woman Ascends the Stairs (1960)
The Warped Ones (1960)
Black Sun (1964)
Tokyo Olympiad (1965)
The Pornographers (1966)
The Bible: In the Beginning... (1966)
Reflections in a Golden Eye (1967)
Thirst for Love (1967)
Profound Desires of the Gods (1968)
Jo no Mai (1984)