F.CHOPIN: ETUDES OP. 10&OP. 25
Maurizio Pollini, Piano
제 조 국 : made in Japan
레 이 블 :Deutsche Grammophon
자켓상태 : A면 / B면 NM(near mint)
음반상태 : A면 NEAR MINT-~MINT- B면 NEAR MINT-
수 록 곡 : 이미지 참고바랍니다.
* 음반자켓/음반 오염제거및 소독 완료, 음반 상태 확인 완료된 제품입니다.
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names Tristesse ("Sadness") or "Farewell" (L'Adieu), as well as the "Revolutionary Étude" (Op. 10, No. 12), “Black Keys” (Op. 10, No. 5), and "Winter Wind" (Op. 25, No. 11). No nicknames are of Chopin's original creation.
All twenty-seven études were published during Chopin's lifetime; Op. 10, the first group of twelve, were composed between 1829 and 1832, and were published in 1833, in France, Germany, and England. The twelve études of Op. 25 were composed at various times between 1832 and 1835, and were published in the same countries in 1837. The final three, part of a series called Méthode des méthodes de piano compiled by Ignaz Moscheles and François-Joseph Fétis, were composed in 1839, without an assigned opus number. They appeared in Germany and France in November 1840, and England in January 1841.[2] Accompanying copies of these important early editions, there are usually several manuscripts of a single étude in Chopin's own hand, and additional copies made by his close friend, Jules Fontana, along with editions of Karol Mikuli, Chopin's student.
The first études of the Opus 10 set were written when Chopin was still in his teens. They rank alongside the early works of Felix Mendelssohn as rare examples of extremely youthful compositions that are regarded as both innovative and worthy of inclusion in the standard canon. Chopin's études elevated the musical form from purely utilitarian exercises to great artistic masterpieces.